one year . meet the designers: Filipe Faísca

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Who are you?

Fashion Designer 

What is your relation with scar-id store?

A direct connection with Porto, mainly exclusive pieces, chosen according to the target… softwear, easy going pieces, #fashionstreetstyle 

What is your favourite piece at scar-id store?

Pattern Bomber

Photography: Ismael Prata

What do you think about the Portuguese design scene?

There is a difference between what is created and what is produced. The quality of the creation is superior of the production. 

What is your favourite Place at city of Porto?

Panoramic view of Albergaria Miradouro

A few things that are inspiring you?

Everything inspires me…

*

Why do you live (work) where you live (work)?

My Lisbon Store / Atelier

Photography: Stephan Gladieu, Madame Figaro Paris

Is there any website you are daily addicted to?

style.com , helps me feel tuned with international production, to the fashion capitals…

What do you think about the future?

Is urgent a serious look about the fashion industry in Portugal, especially a political intension. 

And your own future?

More closer, more tuned with what I want to do. 

What is in your desktop at the moment?

In this moment there is a “concern”, a search between artisanal portuguese production and the fashion design.

And about scar-id store?

I believe is a matter of intuition, an efficient communication. 

1 – Tete de Caboche. Linda Vachon

2 –  illustration by Antonio Lopez, 1967

3 – Frederick Hammersley Like Unlike 1959

4 – Kusama5 – fotografia de Lisboa – instagram Setembro 2014

one year . meet the designers: DAM

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Who are you?

DAM is a brand of furniture and accessories that combines tradition and modernity with the creative drawing. Created by the designers Hugo Silva and Joana Santos, this brand is an emotional brand. It’s good for health. The goal is to develop pieces to make people happy and to inspire them in the day-to-day life. 

What is your relation with scar-id store?

We are with scar-id since the first day with some products

What is your favourite piece at scar-id store?

The wardrobe Nandos! Yes, it’s a DAM product, but has a big importance and tells stories – it stores the other precious products, the clothes exhibited in the store. 

What do you think about the Portuguese design scene?

The designers and the brands have to believe more and want more. There is a space to conquer in the Portuguese market but especially in the international market. We are still far to get there, but there are some brands and designers who have done half the route. 

What is your favourite Place at city of Porto?

The Marginal of the Douro River. Take a trip in the marginal is something that inspires us, either by car or on foot, in the river mouth or downtown area. The view over the Douro River and the contact here with the people of Porto is something sublime. 

A few things that are inspiring you?

What inspires us – We! Not the telecommunications brand “NOS” (“WE” in English), but We – Hugo, Joana, the Portuguese people and Portugal. Our banalities of day-to-day life, our passion for homeland, the flavours, the stories, the welcoming people, the Portuguese materials. 

Why do you live (work) where you live (work)?

We live in São João da Madeira and we work here and there, sometimes in the carpentry, or in the car, on the phone, on the computer, at the customer’s room, in the house, in the parents’ house or friends’ house and often at our home. We work .. does not worry us where. 

Is there any website you are daily addicted to?

There are many websites. Some of them are Mocoloco, Design Milk, Archiproducts

Can you tell us something that you haven´t had the opportunity to tell in an interview?

What did you dine yesterday?We dined “Francesinha”, it was divine! For the most distracted people that go to Porto and don’t know, it’s something that has bun, ham, cheese, sausages and steak. For the more refined as Hugo, it can include an egg on the top and in the end it is covered with a high-calorie sauce. This dish is served with fries.

What do you think about the future?

The Future belongs to the Designers! The Design and the Designers will not be only part of the operative process, but mainly will be part of the decision process. And we are talking about the creative areas and also the other areas. Every product involve a building process, which involve designers to reach the public. Design is always a part that creates value in the process, so the Designers will make decisions in the future.

And your own future?

Next to the big international brands, where our products are recognized as design references. 

What is in your desktop at the moment?

Preparing the future! There are papers everywhere, drawings, notes, market researches, cartons to pack the products. There’s the phone ringing. There is the doorbell ringing because someone has mail for us… 

And about scar-id store?

Good job! Promote the best made in Portugal and leave your scars!

one year . thank you

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scar.id store, one year.

It´s inevitable, sometimes we have to clean and (re)start. More or less rationally, always more emotionally, driven by a fulmination will, hedonism or selfishness, basic need or economic/social opportunity: it has to be now or, it´s not worth; worth it? Because at another time we have no longer 30, and at 40´s there is more books read, more visited cities and more philosophies and ethics and aesthetics. And more life constructed on black clothes and piles of magazines at the corner of a discreet fifth floor skyline over Porto, dreaming with golden mirrors and…

It should be a moment when we could look at the mirror and ask: what are we doing with our lives. Sometimes we could understand that we are following a random direction of life or old patterns; elaborating and trying to materialize a persona between what we want to be and what we are. And between what we are and want to be, what we were and how others see us: there is an identity that we don´t know, but we imagine most of the (aware) time, but we never saw on the mirror.

The city? It´s what we most like (besides each other). We can´t stand going out of the city, to the nature, green, suburb. Out, no. It´s something genetic, the geography it´s mixed-up, we lost ourselves, there is a need to go back. The city. Travel through cities, urban centres, the SoCIeTY, people, streets, squares, caffes, hotels, cinemas, bookstores, buildings, restaurants and stores. The store as a symbol of the (re)new urban culture. We travel to feel the contemporary urban culture, even online, mainly online; the contemporary urban culture, global but local, aesthetic, more aesthetic then ethic. But also ethic, in a world where (only) the aesthetic should concern.

Porto? Not always. There was a time that was Paris, one day will be Paris, we´ll always have Paris. “Oporto based, worldwide (Paris) oriented”. Porto, a middle scale between worldwide and local. Big apartments (and steel cheap), good food (increasingly expensive), walking with the car parked at the door. Sun (80% days raining), hot (but north cold), cool nights, resting days, sometimes. Tourism, most of the times, almost always, but not tourism, international travellers, saving the month at the last day, giving value to the made in Portugal.

Design? Yes, somewhere between Architecture and Visual Arts. Photography and Interiors. From fashion to furniture, bags, jewellery, small objects, stationery and ceramics. Small identity passions. And there were, hidden in closets or in boxes, between the time of the show and the press; the exhibition and the prize. Kept, forgotten, not continued media attention. Is there anyone who likes it? Besides 5min on tv, 10 at the fashion show and 15 in the exhibition room? Is there someone who buys it?
Should we try? Let’s try? We can´t promise you nothing, we like it, let’s try?

One year has passed. Thank you.
To those who believed and those who did not but supported. To those who don´t know what design is, and those who know but don´t care. To those who came once and those who never realised why came back.
To those who had buy a piece, or five. To whom we showed the basement as our secret archive and who just bought items from the there. To those who save during months to buy that piece. To those who understand global and timeless design. To those who just see the windows, or just the price, or just came to copy.
To those who design it. And believed in us. To those who never sold a piece, but continue because we all believe that there will be the right costumer. To those who wait for the end of the month email to pay the rent. To the ones that doesn´t believed in us, but it worked.

A year has passed. Thank you. Turn out well?
Better than one of us expected, worse than the other.
It was easy? Did we get rich? Will we be rich? Are we going to expand to Paris? No, no, no, someday.
Did we influence anyone? To the design scene? To the aesthetics and the ethics?
Does it worth? A store selling Portuguese designers? Sure. In Porto? Yes for us and to the Portuguese? Doubts. For the world?

We think so and we want to continue, if so for aesthetic and ethic stubbornness; For the relations created with all the designers and clients; For the beside things that happened because of the store; For the persons that understood what design is about, and started appreciate what we do; For the pieces that came out the closets and boxes, for all the samples that became production, for all the extra pieces raised in the middle of collections. For all those pieces that will never be sold, but surely need a white storefront in the Oporto Arts District. For us.

Let´s keep going. The second year.
Scar.id store lost its store. We are now scar.id and we are scar.id. We don´t want to be the store, we have never wanted be just the store. “Oporto based, worldwide oriented, working with the identity through design.”
Making projects, designing homes, taking pictures, installations, windows, designing products, ceramics, bags; identities; hotels, restaurants, bars, apartments and stores, interiors and exteriors, dinner tables and environments…in Porto and worldwide.
Let´s keep going. Scar.id lost the store, but the store continues. Rua do Rosário, 253, Porto and scar-id.com.

Product: TEAPOT SET . JOÃO ABREU VALENTE

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Teapot’set is a single teapot mold that produces a whole tea set. By using a fixed amount of liquid clay, the production of each object leaves less material to make the next one. The coloring of the clay is a visual translation of this process, where the first casting reveals the initial mixing of two different colors that eventually start to blend into a single color as the clay is poured in and out of the mold, continuing the process.

Teapot’set is a tea set which comes out of the shape of it’s own teapot. The process used in Teapot’set is an appropriation of the traditional ceramic casting technique.
The liquid porcelain is poured in different quantities into the the teapot mold depending on the piece which is casted. The teapot is filled until the top whereas for the teacup it is only 3/4 filled. The teapot’set family turns this process functional since a teapot always need the teacups to work.

Media: scar.id store Editorial 01

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Peach Knit Long Dress . Knit/ Peach . Susana Bettencourt Leather Sandals with Acrylic . 100% Leather and Acrylic, EVA sole / White . Joana Da’Graça + Gonçalo Páscoa

Long Parka and Long Skirt . Parka / White . Chiffon / Black . Elisabeth TeixeiraAsymmetric Top . Vyscose / White . Daniela BarrosLeather Sandals with Acrylic . 100% Leather and Acrylic, EVA sole / White . Joana Da’Graça + Gonçalo PáscoaMessy Knots Necklace . 3d Printed PLA, White / PVC, Black . Wek

Long Reversible Jacquard Dress . Knitted Jacquard / Blue . Susana BettencourtLeather Sandals with Acrylic . 100% Leather and Acrylic, EVA sole / White . Joana Da’Graça + Gonçalo PáscoaModel .  Karen NascimentoMake Up/Hair . Marlene Vinha (Pretty Exquisite)

Media: scar.id store & ArcStreet.com

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Scar.id store was featured at the amazing ArcStreet.com blog.
ArcStreet is an online French blog and magazine that presents the creative world industry from fashion, design and architecture to renowned houses as fresh, young, emerging and experimental labels, alternative music & subtle and uncompromising design projects with high aesthetic quality, combining technical, functional and a strong concept (firmitas, utilitas & venustas : essential components of design values) and responding to the idea of Mies “Less is more”.
Created in 2011 from Paris by Manuel Pires, a young french/portuguese architect-designer, ArcStreet.com is a reference to us, and a place where we found our daily inspiration in the creative world.

Thank you Manuel for your words.

“We are glad to present you a new address in Oporto! Located at N°253 Rua do Rosario, scar.id store is an independent design store, featuring emerging Portuguese designers and brands from fashion, jewellery and accessories as well as furniture, product and lighting design. They are located at a big storefronts white space in a crossroad of Porto Art Distric, the Miguel Bombarda Neighbourhood.
They want to discover and promote a selection of products with a timeless feeling well designed and manufactured in Portugal that fulfil their vision for contemporary urban lifestyle. They represent names more recognized such as Daniela Barros, Susana Bettencourt, Filipe Faísca, Ricardo Andrez or Estelita Mendonça, but also the latest like Carla Pontes, Carlos Couto or Claudia Garrido. scar.id store is the public expression of Silvia Pinto Costa, visual artist and Andre Ramos, architect.
scar.id identity by design works in the fields of lifestyle, fashion and product through architecture and interior design, product design and photography. “We believe that every identity problem has a design(ed) solution.”

Products: LIA GONÇALVES JEWELLERY . ATELIER

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Process / Concept and Technics

LIA GONÇALVES is an independent contemporary and handcrafted jewelry brand. In her line she creates limited series and unique pieces, combining traditional jewelry techniques and modern concepts of design and target. Since the concept to final execution, each item is made by the designer in her studio, in Portugal. Passion for handmade work is integral to achieving pieces with unique details and personal signature.

The result are simple and pure minimalist pieces which are inspired by planets and moons, exploring the ideas of shape and movement, using three-dimensional forms, textures and movable structures as a conceptual base.

All items are made in 925 silver.

Opinion: Vantablack – The real Black

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A British nanotech company, Surrey NanoSystems, has created the world’s darkest material.
Vantablack is made out of carbon nanotubes and absorbs 99.96% of all light that hits it. Conventional black, normally absorbs between 95% and 98% of light.
For what concerns to us, a Vantablack piece of clothes or product would look like a plain 2D surface without curves and contours, almost like a black hole.

Media: WeAr Magazine 3/2014

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WeAr Magazine asked us to be part of their this edition Buyers Voice.

“WeAr Asked international Top Buyers two key questions about the upcoming season: what are you looking fir at trade and designer catwalk shows and what is the next big trend? “ 

We live in an image / online word where fashion is consumed with scroll speed, that´s why offline stores, catwalk shows, showrooms and ateliers or printed magazines are even more fundamental.We mainly seek the catwalk and trade shows where the young designers / brands showcase their products. We are looking for creativity, innovation, experimentalism, new techniques and new garment constructions.For our store, we try to find a selection of pieces that represent the contemporary urban lifestyle based on the innovation and quality, but also a timeless feeling. We chose deliberately not to focus on seasons, but rather in the language and the creative process of each designer.Of course fashion shows are crucial to the industry, but they are related to the set and communication dimension. We prefer to discover the designers work in their showrooms or ateliers where we can touch the pieces, understand their composition, materials and textures, and the technical innovation. But mainly, have a direct contact with their creative process, listen to their stories and inspirations, and how they reach the new construction process and techniques. Our job is to pass, not just the piece of clothes to the final client, but how these behind stories could positively interfere in the contemporary lifestyle of our customers.